However, it was truly astonishing that participants from two different groups began to feel the same emotions and took on the same formation by the end of the game. The conclusion was the same for two other issues of mine.” (K)

In the game, I was given the role of “edema.” Fortunately, I didn’t have time to think about it because the protagonist immediately “arranged” and showed me my position. In this situation, I immediately started to “feel” something “activated” within me. I didn’t act based on my consciousness; I don’t know what guided my actions. The important thing is that we all became emotionally involved, and the game worked!!! The protagonist was able to express what was causing tension within them, which was resolved by allowing them to feel it emotionally, intensely experiencing their pain (sobbing), and verbalizing it. It was exciting that we started on a physical level (leg, edema, fear). In the developed constellation, the protagonist recognized their children and their connections to each other (switching to the family scene), and even went beyond this: the situation evoked the pattern of relationships formed in their original family (father, mother, paternal grandmother, and the protagonist as a child), which brought up the pain in their soul they had been carrying since childhood. This could be the emotional pattern that has now been activated in their current life situation.”

The problem was that the embryo couldn’t be implanted. Our Protagonist positioned us in an initial setup as she imagined the internal relationships. I am very accepting and adaptable, but as soon as I took on the role of the UTERUS, I started to feel that this EMBRYO was forceful and exploitative. I wanted to connect with it, but not in such a way that it would nestle into my lap and burrow in. I wanted to communicate in an “adult manner.” I tried to sit it up and look into its eyes, but it got offended and didn’t want to communicate with me in any way. Even though I said I wanted it to look at me, it refused. Moreover, it got so angry that it sent me away. I felt hurt but stepped aside. And somehow, instead of being offended, I softened. I accepted that it couldn’t “connect as an adult,” as I expected, but that I needed to adapt to it and give it what it needed to love it well, in a way that suited it. I went back to it, allowed it to burrow into my lap, and arranged my hand to stroke it. It was beautiful to experience complete release after the initial tension and to give what it needed in the way that suited it.” (N)

At that point, I decided to seek another path to healing, which led me to SomatoDrama. It was the best decision I could have made because this August, our little girl was born without any surgery or medication. The human body is truly amazing! It’s incredible how, from a tiny grain of rice we saw in the first ultrasound, a beautiful, vibrant little person emerged, even though, according to Western medicine, she shouldn’t be here! We are very grateful that you tirelessly bring SomatoDrama to people, and we wish you much strength in continuing this work because there are many stories similar to ours!” (A)

In the game, she personified all five conditions and arranged them in a line, with the heart walking alone in front and the others following in pairs. When asked how it felt to watch this, she said it looked like a funeral procession. At this point, the game leader asked her to continue viewing them as a funeral procession. At that moment, the Heart Arrhythmia fell and cried out for help. The woman began to sob and revealed that her Father had fallen and died, and she was the only one who wasn’t there. After this, she started speaking to the character representing her Father, who said he couldn’t let go of her even in death because he had made so many mistakes, and it hurt him. The Father also sobbed. They said their goodbyes to each other, and everyone calmed down. In the end, all the characters came together, swaying in unison.” (B)

She asked me to play the role of the Scar, then named and selected a Breast and a Womb as fellow players. First, she establishes an emotional connection with her gaze, then with words, encouraging us to come alive.

The powerful presence of the group immediately overwhelms me. I become weak, sinking deeper and deeper into a paralyzing lethargy moment by moment. Infinite exhaustion envelops me, and I feel an intense pressure on my chest; even breathing becomes difficult. Standing is impossible; the earth pulls me down, and I lie down. I curl into a small ball, feeling vulnerable, insignificant, and futile.

Then the world disappears, and I am alone. I start to cry. At first, it’s internal, for me, then audibly, repeating that they should let me go, that I have no business here anymore. But nothing happens; it feels like time has stopped, and it doesn’t matter what happens next.

Much later, I notice that the Breast and Womb are standing together, embracing each other, watching with concerned attention. They are entirely attuned to each other; they love each other very much, and I do not doubt that. They don’t speak and look at me with deep sadness, but it feels as if an invisible wall stands between us. This makes it even worse. I want to move, somehow reach them, connect, speak to them, do something, but I can’t; I am helpless.

The protagonist starts to cry. She signals to the game leader, thanking them and saying she would like to end the game at this point. The game was purifying for all of us in the circle.

Later, the protagonist shared that in those moments, she realized that the Scar represented their stillborn child, and the Breast and Womb were herself and her husband, the parents. Both she and her husband had come into the marriage with one child each, and the stillborn child would have been their first child together, whom they had not been able to let go of and mourn until now. (Today, they are raising four children together).” (É)

I brought up difficult topics for me… Since then, I have felt much more resilient; my weight is decreasing, and my endurance is increasing. I am beginning to set boundaries and limits. Most importantly, when I notice a symptom in myself, I identify it with the events happening around me, then I try to let it go, and most of all, I have a good laugh at myself instead of feeling pain. Csilla

I am sure that an internal process has begun, bringing noticeable changes in the future. It was a special joy and honor to meet you in person.” Katalin

I practice Eastern healing, and from the book, I almost heard back all the essential things I have collected over the years through self-effort/self-therapy and emphasized to everyone during their therapies. Still, I have never heard them collected like this from anyone else before. I recommend it to everyone with great joy; it is a highly significant, wonderfully successful book! My heartfelt congratulations!” Évi

I also like the direct tone and the stories from your life, as well as how you shared the arrival and realization of the SomatoDrama idea. I am eagerly looking forward to the continuation! Bori